'TIlL DEATH DID THEM PART

In 1994 one of the founding members of Kwanza Unit, Adili a.k.a. Nigga One passed away. It was a big blow to KU. "We were always joking that nobody should die without having a record deal. It never happened", his face turns sorrowful, toying with the straw in his glass, bent like a miniature microphone. KU did a song in his memory, titled Dedication. Its video clip is a similar to Ghetto Boys' Six Feet Deep (Till Death Do Us Apart). But Rhymeson says the two got no connection. "I saw the Ghetto Boys video two years after we did ours".

KWANZANIAN PAGE RESPECTED

The unit became a family, a family turned into a clan that is about to become at this. "When we started it was really tough. No support from the media, criticisms from the public and so on. Then came the FM radios & TV stations and things started to change". The biggest achievement to them has been to take hiphop to the state house.



   ALSO ON THIS PAGE
   Msafiri, sparking up...

    The Kiswacentric concept

    Chief Rhymeson live at...

    GO TO PAGE: 1 | 2 | 3 | 4

 

 This was during the FAO 1998 Telefood telecast that was aired live by two TV station throughout the country from the Sheraton. Present were the First lady Mama Anna Mkapa, The Zanzibar President Dr. Salmin Amour, The media tycoon Mr. Reginald Mengi, the FAO representative to Tanzania Suleyman Mb'oob, World Food Program's Irene Lacy, the retired football star John Fashanu and diplomats. KU went to the stage to perform Msafiri and were later joined by the veteran singer King Kikkii. Kikkii is the original composer of that song.

"It was the biggest achievement to me seeing all these people listening and some nodding to the hiphop beat. No one can deny that hiphop is now recognized by everyone in the country". 

Well that's true because even the president was watching this live at Morogoro and he greeted the nation. In short, Kwanza Unit took hiphop to another level.


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MSAFIRI, SPARKING UP NOSTALGIA

In swahili, Kwanza means first, and Kwanza Unit have always been the first ones. They were the first local group to use scratch in their records. Now they became the first to fuse hiphop beat with the afro Cuban beat, through Msafiri. "When I first gave the idea everyone thought I was crazy, even the producer himself Master J". Msafiri was planned to be the first to be recorded but it was left to be the last.

But when the producer succeeded in synchronizing the beats, everyone was crazy including Master J, Tanzania's top ranking knob turner. Everyone wanted to do a verse. The song contains a sample from a song earlier done by King Kikkii. The chorus is reminiscent, the rhythm nostalgic, the message underground. The single stayed at Radio Ones top positions for more than two months, which is quite remarkable. The single is contained in  Kwanzanians album. Another single from this album  is Run Tings. Its video clip is off the hook. First it is black and white. Secondly it is very raw, shot right there in the studio, you can see the hand written lyrics, the rotating plastic wheels, a guitar flashes by and MCs coming coolly on the mic. Above all, the song is funky. It is one of the best videos produced within the country.


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THE KISWACENTRIC CONCEPT

Rhymeson says the idea of KU is to make sure the concept and whole meaning of their rhymes are centred in Kiswahili. They rhymes can be in English but should never loose meaning when translated. "when I say my rhymes are fat like an elephant, this is definitely Kiswacentric, you can't have something like this from New York". Back in the days there was a local DJ who used to translate the chant Ice Ice Baby into meaningless Barafu barafu mtoto. Or others who translate the word player into mchezaji thus loosing its meaning. This is because the whole concept of a player is not kiswacentric. Kiswacentric aims to give hiphop a cultural image, relating hip hop with the Tanzanian environment.

 

KWANZANIA, A NEW NATION IS BORN

Rhymeson says it is good thing now that people have felt the impact of Tanzanian hiphop. He says they will keep on sampling from the old tunes, to bring the old guard back into the scene. " Why sample from James Brown while there is a lot of stuff down here ?". The biggest achievement to him will be the realisation of

the Kwanzanian nation, a nation whose cementing force is hiphop culture. It is hiphop that will bind together the members of this nation. A unique nation with its own way of life. Own culture, own values, own goals.  He says they can't force people to join them. KU knows its target audience and whoever is down with them is a bona fide Kwanzanian. He denies that KU represent the middle to upper class Dar Es Salaam residents. "It's all wrong. I, for one come from Temeke, we call it TMK"


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CHIEF RHYMESON LIVE AT ROCKERS

"When we started it was really tough/ no support from the media/ criticisms from the public and so on/ then came the FM radios and TV stations/ and things started to change/ a biggest moment was when were invited to perform at the Telefood Telecast/ at The Sheraton/ attended by the first lady Mama Anna Mkapa/ the Zanzibar president Dr. Salmin Amour/ businessmen and diplomats/ it was the biggest achievement for me seeing all these peolple listening and some nodding to the hiphop beat/ no one can deny that hiphop is now recognized in the country/ it was on that day that a line in Kwanzanian page got fulfilled, that:.. For so many years we been doing this/ from underground to the clubs/ Back to the concrete clubs/ Straight up mental style...". on that day people felt the new dimensions digitally/ spiritually and musically".

MAAAD PROPS FROM  KU: To all the people who support us. To DJ Bonny Love and the Clouds family; Nuff respect to Master J; To Patrick Kamera, Piku, Kaniki (Nuff love); Nuff respect to the Soundcrafters and everyone supporting the family.

September 1999 Rockers meet K Single at Kilimanjaro Hotel's Pool Side : it is the launching of Mr II's much awaited album, Nje Ya Bongo. K Singo is destined to be the MC. Off stage he bumps into Rockers. "You know what I said about keeping it real can bring a lot of confusion. Today I may be talking about drinking Coca Cola because that's what I can afford. But once I get much money I may start drinking Alize. Then I can talk about Alize in my lyrics. Today I cannot talk about driving Mercedes while in real life I travel in Daladalas But in the future I might afford to buy a Mercedes. Then I can talk about Mercedes in my lyrics and I'll still be real. That should never be taken as a contradiction in my lyrics. It is all about reality".

November 1999, Rockers receives an E-mail from Chief Rhymson, All the way from Toronto: Chief Rhymson was told by someone in Toronto that Rockers is on the internet. He sent Rockers an e-mail. He says that for the first time Tanzanian artists have got a media they can rely upon. "For the first time I have read an un-cut interview, no gimmicks" he says. "I have been with Tanzanian media for more than five years, I have never seen something like this (KU article)". He says peolple in Toronto could not believe that there are such talented youth in Tanzania. "Keep it up wazee" he finishes.

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